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- W2072073251 abstract "POETRY IN THE THEATRE. Christopher Fry says, is a response to the twentieth-century need for a new realism. In saying so, he follows in the wake of W. B. Yeats, J. M. Synge, and T. S. Eliot, and is joined by other English-speaking dramatists like Archibald MacLeish. Maxwell Anderson. Robert Frost. W. H. Auden, and Christopher Isherwood. However diverse and uneven their achievements are in practice, these men are remarkably consistent in theory: the realistic or naturalistic theatre dominated by imitators of Ibsen's social-problem plays, they insist, must be amplified or replaced. Instead of mundane. trivial human lives lived in powerlessness and despair, they emphasize deeper emotion and sensitivity in man, or they insist that man and his efforts are potentially noble however much his modern environment seems to degrade him. Poetry, they insist, communicates these complexities more successfully than prose. Fry's own emphasis is on the spiritual dimension in the human experience and the poetic language that can say heaven and earth in one word." @default.
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- W2072073251 date "1978-09-01" @default.
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- W2072073251 title "Language as Life: Christopher Fry's Early Plays" @default.
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- W2072073251 doi "https://doi.org/10.3138/md.21.3.287" @default.
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