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- W2073630826 abstract "Wagner's instrumental Prelude to act III of Die Meistersinger von Nüürnberg(1868) is a skeleton key to the entire opera. Within the opera, it is a psychological portrait of the protagonist, Hans Sachs. The standard-bearer for the Protestant Reformation, Sachs must surrender his personal claims on Eva in order to shepherd his flock, the stratified citizenry of Nuremberg, into a state of peaceful equilibrium. At the beginning of act III, however, Sachs has not assumed his destiny. The Prelude presents the protagonist beset by inner strife and pinioned at the crux of the Ideal and the Real. Sachs's internal conflict is made musically manifest when the breakthrough moment of the Wach auf' chorale (the ecstasy) is subsequently overturned by the reprise of what Wagner calls the cry of complaint (the agony)." @default.
- W2073630826 created "2016-06-24" @default.
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- W2073630826 date "2001-11-01" @default.
- W2073630826 modified "2023-09-24" @default.
- W2073630826 title "The Ecstasy and the Agony: Exploring the Nexus of Music and Message in the Act III Prelude to<i>Die Meistersinger von Nürnberg</i>" @default.
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- W2073630826 doi "https://doi.org/10.1525/ncm.2001.25.2-3.212" @default.
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