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- W2076547863 abstract "This article aims to establish a set of interdisciplinary practices to identify the uniqueness of Romantic books in particular and bibliographic change more generally. It argues that when we take into account the book at a synaesthetic level, we see a new relationship to the book emerging during the Romantic period that converges around the production of “vanishing points.” Reading is no longer framed as something utopian, as in a medieval or early-modern tradition (from Dante to More), but instead as heterotopian, as the production of some outside within. Heterotopia, I argue, becomes the condition through which new kinds of knowledge formation as well new kinds of mediation become possible, up to and including the non-book. The Romantic book marks the beginning of the theorization of the book's end. Things liberate one from surveillance and … observation frees one from suspicion. Sciences that are not acquainted with objects can only rely on sleuthing and policing. (Michel Serres, The Five Senses 42)" @default.
- W2076547863 created "2016-06-24" @default.
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- W2076547863 date "2012-06-01" @default.
- W2076547863 modified "2023-09-24" @default.
- W2076547863 title "Vanishing Points: The Heterotopia of the Romantic Book" @default.
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- W2076547863 doi "https://doi.org/10.1080/10509585.2012.674272" @default.
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