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- W2079820149 abstract "In this essay, Japanese animator Kihachiro Kawamoto`s works will be analyzed. Kawamoto made Breaking of Branches is Forbidden in 1968 and was famous for puppet animation as The Demon(1972), Dojoji Temple(1976) and House of Flame(1979) used Japanese traditional elements in his works. The themes are the agony and despair of a human being, and the narrative is developed dramatically. This is possible through a variety of techniques in animation expression. For example of this are the movement of the puppets and the lighting. In the case of Kawamoto`s works, above all, it can be said that the dramatic development depends on editing - the relation of each shot to the next shot. Therefore, this analysis will focus especially on the editing of The Demon, Dojoji Temple and House of Flame. Kawamoto`s method of editing will be examed and the analysis will confirm that classical continuity edting by controling space and time has been used. Namely that the effect of editing enhances dramatic development of the narrative on Kawamoto`s works. This study will also discuss the benefit of using cinematic methods of in animation. Eventhough it is not essential, Kawamoto chooses cinematic method editing. Through their use, he is able to absorb the audience in the traditional Japanese world which ordinarily could be too difficult to understand through puppet animation." @default.
- W2079820149 created "2016-06-24" @default.
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- W2079820149 date "2011-12-31" @default.
- W2079820149 modified "2023-09-26" @default.
- W2079820149 title "Cinematic Method on Kihachiro Kawamoto's works" @default.
- W2079820149 doi "https://doi.org/10.7230/koscas.2011.25.1.065" @default.
- W2079820149 hasPublicationYear "2011" @default.
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