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- W2080172188 abstract "ABSTRACT The notion of woman acquired a variety of- often contradictory- meanings in turn-of-thecentury art, especially in the Decadent trend in art and literature, which was often incompatible with the women's movement. The notions of artistic Decadence and women's emancipation were further complicated by nationalist ambitions in the European nations aspiring to independence. In my article, I analyse the tension between the Decadent aesthetics and the New Woman themes in the prose work of the Finnish writer L. Onerva (1882-1972) and her attempts to construct female identity. And there are two Mirdjas inside me. One lives and the other one haunts. When one laughs and plays and is hard and ruthless as all those who have decided to live, the other one weeps helpless tears of sorrow and tenderness, the ghost … (Onerva 1982, 155.) All her being was built on contradictions. She had the nervous system of the woman of the past, the brain and the will of the woman of the future. She was born to be unhappy. (Onerva 1913, 26.)" @default.
- W2080172188 created "2016-06-24" @default.
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- W2080172188 date "1998-04-01" @default.
- W2080172188 modified "2023-09-26" @default.
- W2080172188 title "Decadent New Woman?" @default.
- W2080172188 doi "https://doi.org/10.1080/08038749850167897" @default.
- W2080172188 hasPublicationYear "1998" @default.
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