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- W2080694551 abstract "relatives. This is reality in a limited sense, to be sure. It does not transcend daily life or reveal unseen significances. It leaves the spectator pretty much where it finds him. He may, by identification with what is shown to be pretty much the common lot, be rather more reconciled to his life than before, but he has not been raised above it or stimulated to some degree of revolt against it. Even the warmth that spreads to him from the small heroisms or the worthy sentiment which these real characters display is hardly more than a flattering unction to his own soul. The dividend is complacency, a coin which does not purchase renewal of spirit. Two films recently shown throw some light on these speculations. Both are the work of the same director, David Lean. The earlier, This Happy Breed, is a realistic film in the sense of the word commonly used in critical comment; the latter, a film play based on Dickens' Great Expectations, has, for curious reasons, a far greater sense of reality. Both are admirable works in their respective genres and both are marked by this brilliant director's imaginative and sensitive perception of character and his acute use of the screen medium." @default.
- W2080694551 created "2016-06-24" @default.
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- W2080694551 date "1947-07-01" @default.
- W2080694551 modified "2023-10-18" @default.
- W2080694551 title "This Happy Breed and Great Expectations" @default.
- W2080694551 doi "https://doi.org/10.2307/1209538" @default.
- W2080694551 hasPublicationYear "1947" @default.
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