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• W2082493734 abstract "In this article, I analyze how the Maasai of Kenya are presented in three different tourist performances—postcolonial, postindependence, and postmodern. Each site tells a different story, an alternate version of history, with its own perspective on the role of ethnicity and heritage within the nation-state and in the world community. Using a method of controlled comparison, I expand the theoretical dialogue in tourism debates by departing from the monolithic discourse that has characterized so much of tourism scholarship, [ethnic tourism, Maasai, globalization, performance, authenticity, ethnography, media images]" @default.
• W2082493734 created "2016-06-24" @default.
• W2082493734 creator A5016101875 @default.
• W2082493734 date "2001-11-01" @default.
• W2082493734 modified "2023-10-11" @default.
• W2082493734 title "The Maasai and the Lion King: Authenticity, Nationalism, and Globalization in African Tourism" @default.
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• W2082493734 doi "https://doi.org/10.1525/ae.2001.28.4.881" @default.
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