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- W2082776704 abstract "In 1553 , Joachim du Bellay sets out for Rome on a diplomatic and poetic mission: he is secretary to his older relative Cardinal Jean du Bellay, and he is in search of the ancient models that will provide the source of a new French poetry, the task of the latter laid out four years earlier in his Deffence et Illustration de la Langue Francoyse. The Antiquitez de Rome are, of course, an expression of the poet's 1 profound disappointment at what he sees before him, in which he finds neither the greatness nor the durability that he hoped to bring back in order to promote both poetic and political grandeur for the future of France. Precisely what du Bellay finds in Rome and what he tries to bring of it to French poetry have been widely debated in criticism, which only recently has begun to yield on the position that the Regrets constitute an obviously superior work. 2 In spite of the regret also expressed in the Antiquitez, on the title page they are termed une generale description de [la] grandeur of Rome. 3 That is, there is still a greatness available in Rome, which in the sonnets is most frequently identified with Roman writing. I would like to propose that the absence of the original Rome in which these writings were produced is not simply lamented in the Antiquitez; rather, their current lack of groundedness allows them to be taken up and reworked by the French Renaissance poet, who thereby produces the space in which a properly French poetry will take place. That is, the Antiquitez are not primarily an expression of lamenting nostalgia, but instead a production of a poetry in the present and for the future." @default.
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- W2082776704 date "2001-01-01" @default.
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- W2082776704 title "Du Bellay's Time in Rome: The Antiquitez" @default.
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- W2082776704 doi "https://doi.org/10.1353/frf.2001.0019" @default.
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