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- W2083375911 abstract "Examining the modernity of the Grands Boulevards as a site of spectacle, this essay underlines the commercial aspect. Renowned originally as an intellectually stimulating and visually refreshing promenade full of fleeting scenes, the Grands Boulevards increasingly attracted new, spectacular forms of commercial culture that underlined newness and fashionability. By the fin de siècle countless such spectacles assaulted the senses there, turning the flâneur, who enjoyed shifting scenes, into a consumer, whose attention was deliberately sought after. At the same time, the celebrations of the Grands Boulevards that were disseminated in texts and images spread the street’s reputation as uniquely impressive and entertaining. Although this reputation also yielded criticism of superficiality, artificiality and disorientation, it ultimately contributed in creating the image of Paris as a legendary city of modernity and pleasure." @default.
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- W2083375911 date "2006-01-01" @default.
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- W2083375911 title "Du flâneur au consommateur : spectacle et consommation sur les Grands Boulevards, 1840-1914" @default.
- W2083375911 doi "https://doi.org/10.3406/roman.2006.6430" @default.
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