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- W2083755710 abstract "1888 and had it published in 1889 as the twenty-ninth of his fifty-one Goethe lieder, and already it was recital favorite, easily understood and enjoyed. Now, century later, it is as effective as ever, so it may be fitting to ask, what makes Anakreons Grab readily accessible to listeners? conceptions and feelings that are embodied in composition are in large measure specific to music itself; they are essentially unknown in any other way. Meaning of this type nevertheless resides in community of and ways of feeling and in subtle departures from tradition; it is by no means inevitably attached to given acoustic patterns.2 In lied the sung poem collaborates with the music in speaking to the audience. But that the music can be heard to second the meaning of the text arises from hearer's independent mastery, conscious or unconscious, of the conventions observed by the music itself. Even if the words are unintelligible, the sense of the piece can be grasped. The contents of Anakreons Grab might be profitably canvassed to see how a community of understanding operates. The opening rhythms of the vocal line (Ex. 1) provide case in point, for they suggest the drift of the whole song." @default.
- W2083755710 created "2016-06-24" @default.
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- W2083755710 date "1999-01-01" @default.
- W2083755710 modified "2023-10-05" @default.
- W2083755710 title "Some Things Borrowed: Hugo Wolf's Anakreons Grab" @default.
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- W2083755710 doi "https://doi.org/10.2307/764100" @default.
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