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- W2083862932 abstract "In February 1706, the painter Dirk Valkenburg signed a four—year contractwith the Amsterdam merchant Jonas Witsen. He was to serve on Witsen'sSurinam plantations as bookkeeper and artist making oils, watercolours anddrawings of the wildlife and inhabitants 'after life'. Two large oil paintingssurvive from this undertaking: one representing a 'native' village, and one aslave village. Questions relating to the choice of genre, display of painterlytechnique and the peculiar nature of the initial contract are discussed in thecontext of transforming contemporary notions regarding slavery and property.In the 1730s, in the period immediately before the emergence of scientifictheories of race, a young Dutch-educated black slave produced a doctoralthesis using biblical readings to defend slavery. Portraits of this young man,bewigged and Geneva-collared, were widely circulated. Representations ofslaves and blacks, it is argued, signify profound ambiguities relating to identityand property in a period when traditional and modern paradigms of servitude,personhood and the commodity overlapped." @default.
- W2083862932 created "2016-06-24" @default.
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- W2083862932 date "2002-01-01" @default.
- W2083862932 modified "2023-09-25" @default.
- W2083862932 title "People As Property" @default.
- W2083862932 doi "https://doi.org/10.1093/oxartj/25.1.1" @default.
- W2083862932 hasPublicationYear "2002" @default.
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