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- W2084241504 abstract "ABSTRACTAlthough early modern acting companies were adept at using different kinds of venue, performing indoors imposed a significant change in practice. Since indoor theatres required artificial lighting to augment the natural light admitted via windows, candles were employed; but the technology was such that candles could not last untended throughout an entire performance. Performing indoors thus introduced a new component into stage practice: the interval. This article explores what extant evidence (such as it is) might tell us about the introduction of act breaks, how they may have worked, and the implications for actors, audiences and dramatists. Ben Jonson's scripting of the interval in two late plays, The Staple of News and The Magnetic Lady, is examined for what it may suggest about actual practice, and the ways in which the interval may have been considered integral to composition and performance is explored through a reading of Middleton and Rowley's The Changeling. The interval offered playwrig..." @default.
- W2084241504 created "2016-06-24" @default.
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- W2084241504 date "2013-09-01" @default.
- W2084241504 modified "2023-09-26" @default.
- W2084241504 title "The interval and indoor playmaking" @default.
- W2084241504 doi "https://doi.org/10.1386/stap.33.3.263_1" @default.
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