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- W2084792340 abstract "T HE modern student of Roman comedy, in main, is necessarily a reader, not a spectator, of drama. As such he does not always properly interpret and appreciate plays. Application to printed text prevents him from visualizing action on stage; he easily forgets that the play's thing. Obviously his negligence is most pardonable when, in reading, he fails to notice that stage is occupied by silent background figures, contributing little or nothing to immediate theme, but presumably responsive to language and behavior of foreground characters and increasing pictorial and dramatic values of scene;' or when he fails to observe that important characters remain on stage for one or two hundred verses, silent themselves, while other foreground figures engage in dramatic monologue or dialogue. So, for example, at Bacch. 385-525 reader discovers only at Mnesilochus' exit in 525 that at least two slaves have been present for 140 verses. And at Most. 683-784, for over a hundred verses, Theopropides, an important r6le, seemingly remains on stage and silent during interchange of song and speech between Tranio and Simo. Any person, or group of persons, whether supernumeraries or actors, silent for a considerable space of time," @default.
- W2084792340 created "2016-06-24" @default.
- W2084792340 creator A5061961781 @default.
- W2084792340 date "1936-04-01" @default.
- W2084792340 modified "2023-09-26" @default.
- W2084792340 title "Silent Rôles in Roman Comedy" @default.
- W2084792340 doi "https://doi.org/10.1086/361912" @default.
- W2084792340 hasPublicationYear "1936" @default.
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