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- W2085277907 abstract "The greatest master of the “Gothic smile” was not one of the anonymous visual artists who made saints and angels beam in the mid-thirteenth century; rather, it was Dante. Smiling is the hallmark of the presumably “sage and serious” poet and a sign of his distinctive originality as a Christian theologian. While this is true as early as La vita nuova and the Convivio , the Commedia shows how Dante journeys toward the beatific vision of God through the smile (on the faces of Vergil, Beatrice, and others). Sorriso/sorridere and riso/ridere –as noun or verb, and apparently interchangeable in meaning–appear over seventy times in the poem, in a wide variety of contexts: twice in Inferno , on more than twenty occasions in Purgatory , and double that number in Paradiso . As he develops the poem, Dante uses the smile to express the unique individuality not only of the human being but also of the triune God. (PSH)" @default.
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- W2085277907 date "2006-03-01" @default.
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- W2085277907 title "All Smiles: Poetry and Theology in Dante" @default.
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- W2085277907 doi "https://doi.org/10.1632/003081206x129602" @default.
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