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- W2086975478 abstract "The first image of Honeydripper, the sixteenth film written, directed, and produced by John Sayles (in collaboration with Maggie Renzi), is a close-up of hands (accompanied by the sound of a diddly-bo). The camera pulls back to reveal an African American boy, six or seven years old, bobbing back and forth and mouthing along to the sounds he creates on his homemade “guitar,” a wire picked with a glass bottle. We then see a close-up of another pair of hands playing a board painted with piano keys. The “pianist,” Lonnie, another African American boy, looks disapprovingly at the “guitarist,” Scratch, whose instrument, unlike Lonnie's, is actually making sound. The camera pulls back further to reveal the boys sitting on a simple wooden porch with no railing, a couple of tables, and a threadbare chair. The boys’ overalls are well worn. The scene is bathed with golden late evening sunlight. As the opening sequence continues, the boys leave their porch, and the camera follows them through cotton fields, past an army base, through the woods, across a lazy stream, and into a clearing where they climb the steps to a roadhouse, the Honeydripper Lounge. The final prompt from the credits indicates the setting is “Alabama 1950.”" @default.
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- W2086975478 date "2011-01-01" @default.
- W2086975478 modified "2023-10-11" @default.
- W2086975478 title "John Sayles's Honeydripper: African Americans and the Environment" @default.
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- W2086975478 doi "https://doi.org/10.1093/isle/isr007" @default.
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