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• W2092152854 startingPage "e8144" @default.
• W2092152854 abstract "Scales are collections of tones that divide octaves into specific intervals used to create music. Since humans can distinguish about 240 different pitches over an octave in the mid-range of hearing, in principle a very large number of tone combinations could have been used for this purpose. Nonetheless, compositions in Western classical, folk and popular music as well as in many other musical traditions are based on a relatively small number of scales that typically comprise only five to seven tones. Why humans employ only a few of the enormous number of possible tone combinations to create music is not known. Here we show that the component intervals of the most widely used scales throughout history and across cultures are those with the greatest overall spectral similarity to a harmonic series. These findings suggest that humans prefer tone combinations that reflect the spectral characteristics of conspecific vocalizations. The analysis also highlights the spectral similarity among the scales used by different cultures." @default.
• W2092152854 created "2016-06-24" @default.
• W2092152854 creator A5041099443 @default.
• W2092152854 creator A5053542806 @default.
• W2092152854 date "2009-12-03" @default.
• W2092152854 modified "2023-10-12" @default.
• W2092152854 title "A Biological Rationale for Musical Scales" @default.
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• W2092152854 doi "https://doi.org/10.1371/journal.pone.0008144" @default.
• W2092152854 hasPubMedCentralId "https://www.ncbi.nlm.nih.gov/pmc/articles/2779864" @default.
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• W2092152854 hasPublicationYear "2009" @default.
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