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- W2094220708 abstract "n the music of Mozart and his central European contemporaries, the characteristics of common time generally agree with descriptions of quadruple meter found in moder-day treatises and textbooks. A hierarchic order of metrical accents dictates that within the four-beat measure, the first beat bears more weight or emphasis than the third. In late eighteenth-century music that conforms to this hierarchy of accent, the common-time measure constitutes a structural yardstick, and the phrasing may be counted in numbers of measures without recourse to fractions." @default.
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- W2094220708 date "1984-01-01" @default.
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- W2094220708 title "Common-Time Displacement in Mozart" @default.
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- W2094220708 doi "https://doi.org/10.2307/763589" @default.
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