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- W2094275688 abstract "6T1 HE principal, dominant fact which for two centuries past stands out in the history of music and of musicians, is their social inferiority, wrote Liszt, underlining the words, in an article dealing with the status of the artist, published in the Gazette musicale of Paris, on May 3, 1835. And the great composer, who was then merely a piano virtuoso and a friend of the Saint-Simonians, added, Another fact which one may regard both as the cause and the effect of the social inferiority of musicians, is the want of faith-the cheap egoism and commercial greed of a great many of them. No doubt the social position of the artist has in a measure changed since Louis-Philippe-and in our own day we have seen one of Liszt's most illustrious emulators become president of the new Polish Republic-yet it was not without long continued efforts, nor without struggles even more bitter than those occurring in many a profession apparently less elevated, yet in reality more favored because more directly useful to the social body collectively. It is our intention to discuss in the following pages the social and material status of the musician in the France of the old regime, considering him in connection with the various branches of his activity." @default.
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- W2094275688 date "1930-01-01" @default.
- W2094275688 modified "2023-09-28" @default.
- W2094275688 title "THE ECONOMIC STATUS OF MUSICIANS IN FRANCE UNTIL THE FRENCH REVOLUTION" @default.
- W2094275688 doi "https://doi.org/10.1093/mq/xvi.1.83" @default.
- W2094275688 hasPublicationYear "1930" @default.
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