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- W2095405845 abstract "For many theatregoers whose sensibilities were shaped by the new theatre writing of the late ‘fifties, the adaptation in 1963 of Shakespeare's first tetralogy of history plays into the three-play cycle The Wars of the Roses came as a startling revelation of the ‘political’ Shakespeare. Directed for the still-fledgling RSC by Peter Hall and John Barton, with the latter also responsible for the adaptation and revision, the sequence was perhaps most memorable for the performance by Peggy Ashcroft as Queen Margaret-Shakespeare's ‘first heroine’ –whose presence first illuminated and then haunted the production. Robert Potter, who now teaches in the Department of Dramatic Art at the University of California, Santa Barbara, encountered the production while on a Fulbright scholarship to England, and here recollects in tranquility the disturbing impression of Ashcroft's performance, and its impact upon our understanding of the plays. Robert Potter, who as a practising playwright made his own adaptation of the Roses sequence in 1977, has also published widely in the field of medieval drama, and wrote on the Abraham and Isaac play as presented in Aztec Mexico in NTQ 8 ." @default.
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- W2095405845 date "1988-05-01" @default.
- W2095405845 modified "2023-09-25" @default.
- W2095405845 title "The Rediscovery of Queen Margaret: ‘The Wars of the Roses’, 1963" @default.
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- W2095405845 doi "https://doi.org/10.1017/s0266464x00002645" @default.
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