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- W2103336108 abstract "This article investigates an overlapping concern between the tanztheater practice of Pina Bausch and the laboratory theatre work of Ingemar Lindh: that, whether called ‘movement’ or ‘action’, a performer's work needs to be motivated by one's personal input (memories, thoughts, images, and other mental processes) rather than executed as a dictated, and often estranged, vocabulary of movement. This premise was largely a result of two major influential figures in Bausch's and Lindh's careers: Rudolph von Laban and Étienne Decroux. The work of these two practitioners is indispensable to an optimal understanding of Bausch's and Lindh's work on embodiment. This article thus starts with a juxtaposition of Laban's and Decroux's reflections on the matter, leading to Bausch and Lindh's overlapping concern with embodiment and of the core difference in their use of improvisation." @default.
- W2103336108 created "2016-06-24" @default.
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- W2103336108 date "2015-01-02" @default.
- W2103336108 modified "2023-09-25" @default.
- W2103336108 title "A motivation to move: juxtaposing the practices of Ingemar Lindh and Pina Bausch" @default.
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- W2103336108 doi "https://doi.org/10.1080/19443927.2014.986286" @default.
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