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- W2104635479 abstract "In a world where men and women, presidents and petty thieves are referred to in print by their last names alone, it is not surprising that modern scholars have become oblivious to the careful discrimination with which nineteenth century authors employed names. When Robert F. Sayre wrote of Thoreau that His famous reticence also seems to have extended to a feeling that it was inappropriate to put his friends' names in print, he put his finger on one element of the almost forgotten literary code governing gentlemanly authors. However, he does not recognize the conventional character of Thoreau's practice and therefore ascribes the reticence to Thoreau individually without examining Thoreau's relationship to people like John Field whom Thoreau both names and describes unfavorably. Names printed in nineteenth-century autobiography and travel literature convey a surprising amount of information by their adherence or lack of adherence to a code of social and literary decorum, knowledge of which can prove a valuable tool to scholars and particularly editors of such works. Four examples from nineteenth-century works edited in the last half of the twentieth century will serve to illustrate the kinds of editorial or critical inferences which would surely have been modified had the editors considered the nineteenth-century conventions governing names in print. When Milo Milton Quaife edited Margaret I. Carrington's Absaraka (1868) for republication in 1950, he characterized much of the" @default.
- W2104635479 created "2016-06-24" @default.
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- W2104635479 date "1982-03-01" @default.
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- W2104635479 title "The young officer who rode beside me: An examination of nineteenth-century naming conventions" @default.
- W2104635479 hasPublicationYear "1982" @default.
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