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• W21095140 abstract "This project has explored the relationship between the moving image and temporalexperience. Acknowledging the constructed temporality of narrative cinema,in conjunction with what Peter Osborne has described as distracted perception,I have examined the potential for the moving image to direct attention to the hereand-now. What began as an attempt to provide an antidote to the condition ofdistraction through contemplative immersion evolved as a reflection on thetemporal dialectic of contemporary experience.The project’s concern with temporal experience is based on my response toworking with narrative forms of the moving image in a commercial context.Drawing on anti-illusionist strategies of the film-artists of the 1960s as wellas representational aspects of commercial production has resulted in workthat embodies the inherent tension between these conditions of spectatorship,simultaneously heightening and dissolving temporal perception.The visual context for the project is defined by the work of contemporary artistswho also deal with the potential for the moving image to both absorb and distanceviewers. This has been explored through a selection of specific works by AndyWarhol, David Hockney, Chantal Akerman, Christian Marclay, Douglas Gordon,Tacita Dean, Daniel Crooks and David Claerbout. These works challenge viewinghabits and expectation through strategies of duration, re-contextualisation andre-examining the configuration of normative cinema.In developing a theoretical understanding of the relationship between temporalexperience and conditions of spectatorship, the project has been informed byWalter Benjamin, Tom Gunning and Sean Cubitt, writing on the relationshipbetween narrative and non-narrative forms of cinema. These concepts have beenfurther developed through Michael Fried’s theory of absorption and theatricalityand Peter Osborne’s writing on attention and distraction. A philosophicalunderstanding of temporal experience has been explored through the existentialistthought of Jean-Paul Sartre and Albert Camus. The work developed as a combination of gallery-based and site-specific artworksthat include single channel projections, multichannel installation, panoramicphotography, live-feed cinema/installation and augmented reality. This broad,experimental approach is the result of exploring the moving image beyond theconfines of linear cinematic structures. These diverse outcomes have been refinedin the context of the Plimsoll Gallery for the submission exhibition.By developing strategies that examine the relationship between time and themoving image the project has concluded that to offer a contemporary experienceof the here-and-now, the work must fluctuate between states of immersion andawareness; between attention and distraction. Here, the inherent tension activatedby the intersection of these temporal states directs audience attention toward thepotential of a moment." @default.
• W21095140 created "2016-06-24" @default.
• W21095140 creator A5085938759 @default.
• W21095140 date "2013-08-01" @default.
• W21095140 modified "2023-09-27" @default.
• W21095140 title "Attention to distraction : a visual investigation of temporal experience through time-based media" @default.
• W21095140 hasPublicationYear "2013" @default.
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