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• W2113022891 endingPage "93" @default.
• W2113022891 startingPage "85" @default.
• W2113022891 abstract "Colour symbolism permeated the world of indigenous North America. This symbolism was often tied to the cosmos where the earth was viewed as a quadrilateral disk and each of the four cardinal directions was linked with a colour array such as red, white, black, and blue. We suggest that the recurring use of certain colours and colour contrasts comprised a suite of long-term historical practices that were essential for reproducing certain views about the world and about being in the world. Further, the rendering of colour had a plasticity that allowed it to enter a discourse about daily life that was intertwined with notions of the long-term. As a case study, we focus on well-known ceramic head effigies in the central Mississippi Valley to argue that their veneers of contrasting red and white were imbued with a notion of time immemorial that converged with other conceptions of temporality, most importantly, a pressing concern with regional violence, personal safety, and spiritual integrity." @default.
• W2113022891 created "2016-06-24" @default.
• W2113022891 creator A5062589089 @default.
• W2113022891 creator A5086520311 @default.
• W2113022891 date "2008-02-01" @default.
• W2113022891 modified "2023-10-14" @default.
• W2113022891 title "The Colour of Time: Head Pots and Temporal Convergences" @default.
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• W2113022891 doi "https://doi.org/10.1017/s0959774308000097" @default.
• W2113022891 hasPublicationYear "2008" @default.
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