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- W2113265998 abstract "The article explores the popularity of reggaeton music in contemporary Havana in order to trace hierarchies between different expressions of female eroticism. It further analyzes how sexual boundaries are consolidated through portraying certain gendered values as in/correct. The article is based on research among inhabitants in a relatively privileged section of Havana called Vedado, sometimes referred to as a white middle class barrio. The article explores how the interlocutors of the study, after the economic crisis in the 1990s, struggle to re-assert a position of privilege through making use of the gendered and sexualized inscriptions in the concept cultural level. This is a common marker of difference that has strongly classed and racialized connotations, which the author argues is gaining new importance in contemporary Cuba. As a key example, the dance style of reggaeton is portrayed as an embodiment of low culture. The article analyzes one everyday situation in detail, in which reggaeton plays a crucial role in drawing moral boundaries around dancing bodies. The discussion shows how the ascription of low culture to some reggaeton dancing bodies runs parallel to the ascription of incorrect gendered values. The article finally argues that in post-crisis Cuba, the concept of cultural level is being revitalized among the white middle class as a tool to re-establish an earlier position of privilege, relying heavily on the gendered and sexualized inscriptions of the concept." @default.
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- W2113265998 date "2012-01-01" @default.
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- W2113265998 title "Shaking that ass Reggaetón as an embodiment of low culture to mark difference and privilege in contemporary Havana" @default.
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