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• W2115382008 abstract "This article analyses post-war history culture in Bosnia and Herzegovina using the concept of banal nationalism. Through a description of Bosnia’s post-war history culture – that part of public culture where people face the past in their daily lives, i.e. books, films, monuments, museums, buildings, pictures, photographs, plays and so forth – the article demonstrates the division of Bosnian history culture into three variants and analyzes the main characteristics of each variant. The analysis shows that contrary to classical, more selfconscious forms of historical presentation such as museum exhibits, the past exists in post-war Bosnian society in a banal way. The article concludes that such a banal presence of history can have a strong impact on the identity and historical consciousness of Bosnians. The presence of “history” took on a dramatic role in Bosnian society starting in the twilight years of the former Yugoslavia. The significant role that history plays in thinking about present-day Bosnia led British historian Noel Malcolm to argue for a general account of Bosnian history in the mid1990s: not only was there a need to understand the origins of the fighting, but also “to dispel some of the clouds of misunderstanding, deliberate mythmaking and sheer ignorance in which all discussion of Bosnia and its history has become shrouded” (1994/1996: xix). This article approaches the presence of history in Bosnia with an emphasis on the post-war period (the Dayton Peace Agreement ending the war was signed in late 1995). The focus is on history culture. By history culture I refer to that part of public culture where people are confronted with claims about the past in their daily lives. It is important to see this in opposition to academic historical research: history culture embraces a much wider social arena within which people from all walks of life come to terms with the past and from which common understandings of history emerge. A focus on history culture includes examining the ways in which claims about the past are mediated within a field of cultural production, by looking at cultural artefacts such as books, films, monuments, museums, buildings, pictures, photographs, plays and so forth. In particular, this means paying attention to the symbolic content of such objects, understanding how particular meanings come to be associated with them, and makes possible an understanding of the mechanisms and avenues whereby knowledge about the" @default.
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• W2115382008 date "2004-12-01" @default.
• W2115382008 modified "2023-09-27" @default.
• W2115382008 title "History Culture and Banal Nationalism in post-War Bosnia" @default.
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