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- W2116799184 abstract "This paper is two-facetted. The first section investigates the anime film Perfect Blue (1999), directed by Satoshi Kon, 1 to discover how he constructs dream and fantasy sequences that externalise the inner life of his protagonist. The aim is to counter a common tendency that sees filmmakers, particularly those in training, being advised to avoid portraying dreams because of the many pitfalls that they can present — especially in terms of hackneyed symbolism and style. Drawing on Cherry Potter’s work on screen language and interiority, on Edward Branigan’s theory of focalisation, and on Noel Carroll and Rosemary Jackson‘s writing about doppelgangers, this paper analyses Kon’s treatment of dreams and fantasy, which rise above cliche to effectively externalise his protagonist’s inner life. In the second section of the paper, I move on to consider the implications of the findings for the treatment of dream and fantasy in the film project Zinzi and the Boondogle." @default.
- W2116799184 created "2016-06-24" @default.
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- W2116799184 date "2006-01-01" @default.
- W2116799184 modified "2023-09-24" @default.
- W2116799184 title "Screening Interiority: Drawing on the Animated Dreams of Satoshi Kon's Perfect Blue" @default.
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