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- W2116804906 abstract "In the case of myth we can clearly distinguish at least two usages: on the one hand myth is used in its classical meaning, the one that most people are generally in agreement on, and on the other hand we can find phenomena prevalent even in today’s society that seem to resemble classical myths. A cursory glance at such myths amply demonstrates the radically divergent precepts around them. From this diversity it is obvious that the question is going to crop up whether all of the phenomena subsumed under myth should be lumped together as being part of one concept and whether myth is the best word to express this concept. While I remain sceptical in this regard, I nonetheless, would hesitate to offer any radically alternate suggestion. As far as myth is concerned, we will use as our point of departure those phenomena that diverse authors have considered as myths without discussing whether they could be better expressed by some more appropriate term or whether they could converge somehow in the semantic field of some other concept. It is quite possible that the multifacetedness of myth derives from the change over of the original Greek word mythos from speech to (an" @default.
- W2116804906 created "2016-06-24" @default.
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- W2116804906 date "2000-01-01" @default.
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- W2116804906 title "Artist and Myth" @default.
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- W2116804906 doi "https://doi.org/10.7592/fejf2000.15.myth" @default.
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