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- W2117923963 abstract "Griselda Gambaro's El despojamiento performs its own deconstruction as a striptease. The elements that create a performance—pr ops, gestures, dis course, costumes, etc.—are singled out and their function revealed in this oneact monologue. In the course of the play, the set is dismantled and the main character, a woman, is stripped. In the destruction of the theatrical image (the set and its main character), the audience discerns the sign systems that constitute a play and becomes aware of the voyeuristic pleasure inherent to performance. At the same time Gambaro's play comments the image of woman within a society dominated by the patriarchy. Performance has long been the theme of much self-conscious theatre: Shakespeare, Tamayo y Baus, Peter Weiss, and Pirandello. Lionel Abel in Metatheatre proposes that works aware of their own theatricality employing such devices as the play-within-the-play impose upon the audience an unavoidable awareness of the form and the nature of the dramatic medium and the relationship between spectator and spectacle (60). Gambaro's play, contemporaneous and perhaps competing with other media of illusion such as television and film, achieves a self-reflectiv e level by foregrounding perfor mance within the drama. El despojamiento therefore is more closely allied to works like Rodolfo Usigli's El gesticulador and Jorge Diaz's El cepillo de dientes where gesticulating or acting is the central action. Here the device of the play-within-the-play gives way to representati on or performance itself. In El gesticulador, Cesar Rubio takes the role of a revolutionary hero and the powerful mythologizing forces of the government convert the farce into the only accepted reality. In Diaz's play, there is no attempt to harmonize the act of representation with that of reality. The man and woman constantly assume roles, at one time game show host and contestant and then again as middle class couple. Diaz reveals the emptiness of social roles within Chilean urban life." @default.
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- W2117923963 date "1987-03-01" @default.
- W2117923963 modified "2023-09-22" @default.
- W2117923963 title "From Pin-Ups to Striptease in Gambaro's El despojamiento" @default.
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