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- W2128346015 abstract "Arguing that the psychodynamic complexities of the film-viewing encounterremain inadequately theorised, this paper seeks to critique and to challenge existing Screentheory and cultural studies accounts of spectatorial ‘identification’ by reconceptualising theprocess as one of psychosocial investment (Hollway and Jefferson 2000). Extracts are usedhere from interview data gathered using a series of in-depth free-association narrative[FANI]/biographical interpretive [BNIM] interviews (Hollway and Jefferson 2000, Wengraf2001; 2013), which were carried out as a part of the author’s doctoral research. Focusingspecifically upon three key film texts, this empirically based and psychoanalytically-orientedpsychosocial audience study explored the ways in which individuals are psychologically andbiographically motivated to invest differently – both consciously and unconsciously – incinematic constructions of the female serial killer. In this paper, it is suggested that cinematicinvestments of this kind can usefully be understood in terms of self-primacy, since viewersseem to read the films (differently) through their own selves. This phenomenon is theorisedusing the concept of narcissism – which is argued here to be both psychologically and socioculturallysignificant – and in relation to the psychoanalytic notions of projection (Grant andCrawley 2002: 18) and phantasy (Glover 2009: 47-8). In this way, a contribution is made tothe field of media audience studies, offering a more nuanced understanding of how and whyindividuals’ own biographical experiences – and the narratives of self that they construct overtheir life course – bear so significantly upon their psychosocial engagements with, andinvestments in, a given film text." @default.
- W2128346015 created "2016-06-24" @default.
- W2128346015 creator A5022274451 @default.
- W2128346015 date "2013-10-13" @default.
- W2128346015 modified "2023-09-25" @default.
- W2128346015 title "Investments in cinematic constructions of the female serial killer: re-conceptualising spectatorial 'identification'" @default.
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- W2128346015 doi "https://doi.org/10.1234/fa.v0i64.80" @default.
- W2128346015 hasPublicationYear "2013" @default.
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