FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W2128889177> ?p ?o ?g. }

• W2128889177 endingPage "125" @default.
• W2128889177 startingPage "106" @default.
• W2128889177 abstract "Since Aristotle, “character” has tended to be thought in dialectical conjunction with its antipode, “plot.” But these two moments – the one allegorizing the theological horizon of predestination and Totality, the other standing in for subjective particularity and the gesture of free will – are ceaselessly reabsorbed into one another in the phenomenology of reading, as what had at first appeared to be the imposition of a grand design is subsequently revealed to have been the random convergence of dissociated wills; before this latter is again unveiled as the cunning of authorial reason after all. This dialectic, out of time and itself a kind of allegory for historical experience, occludes certain determinations that have, in modernity, differentiated the concept of “character” both from itself and from its narrative situations: determinations of historicity, of form, and of media. These cannot be approached separately, but must be faced squarely in their knotted convolution. What their involvement with the given problematic suggests is that, alongside this dominant dialectic of plot and character, a minor dialectic, of critical reflexivity and the relentless auto-correction of partial syntheses internal to the concept of “character,” must also be registered. It is this latter dialectic that will be the focus of what follows, whose first part sketches a provisional theory of modern “character” as something in determinate excess of the sheerly narratological schemata with which it has tended to be thought. For the motor engine of literary and theatrical reflexivity is one that builds new characterological systems out of the remnants of the immediate past, before these again are metamorphosed into their own caricatures during the next stage of revision and generic differentiation. “Character” is situated at the very crux of this dialectic: in a perennial process of reification, as the new modes of narrativization and literary discursivity stabilize into reliable forms; but also the privileged site for reflexive modification and renewal – in something like a perfect analogue for the development of modern subjectivity, which is itself drawn into a ceaseless dialectic of substantiation, self-estrangement and sublation throughout modernity. Part two then looks to a particular text, Carl Theodore Dreyer’s 1955 film Ordet, as a practical demonstration and manifesto for a new theory of character, at an obtuse angle to the" @default.
• W2128889177 created "2016-06-24" @default.
• W2128889177 creator A5088057811 @default.
• W2128889177 creator A5000118501 @default.
• W2128889177 date "2007-01-01" @default.
• W2128889177 modified "2023-10-17" @default.
• W2128889177 title "Character and Event" @default.
• W2128889177 cites W1503274115 @default.
• W2128889177 cites W1510804022 @default.
• W2128889177 cites W1538346044 @default.
• W2128889177 cites W1568345774 @default.
• W2128889177 cites W1569402307 @default.
• W2128889177 cites W1591537922 @default.
• W2128889177 cites W1601930999 @default.
• W2128889177 cites W2049745180 @default.
• W2128889177 cites W2056138263 @default.
• W2128889177 cites W2067205981 @default.
• W2128889177 cites W2088155153 @default.
• W2128889177 cites W2799032247 @default.
• W2128889177 cites W2799073549 @default.
• W2128889177 cites W3082239774 @default.
• W2128889177 cites W3158820556 @default.
• W2128889177 cites W586574377 @default.
• W2128889177 cites W624263759 @default.
• W2128889177 cites W632953583 @default.
• W2128889177 cites W73953765 @default.
• W2128889177 cites W2798708617 @default.
• W2128889177 doi "https://doi.org/10.1353/sub.2007.0034" @default.
• W2128889177 hasPublicationYear "2007" @default.
• W2128889177 type Work @default.
• W2128889177 sameAs 2128889177 @default.
• W2128889177 citedByCount "3" @default.
• W2128889177 countsByYear W21288891772012 @default.
• W2128889177 countsByYear W21288891772022 @default.
• W2128889177 crossrefType "journal-article" @default.
• W2128889177 hasAuthorship W2128889177A5000118501 @default.
• W2128889177 hasAuthorship W2128889177A5088057811 @default.
• W2128889177 hasConcept C121332964 @default.
• W2128889177 hasConcept C2524010 @default.
• W2128889177 hasConcept C2779662365 @default.
• W2128889177 hasConcept C2780861071 @default.
• W2128889177 hasConcept C33923547 @default.
• W2128889177 hasConcept C62520636 @default.
• W2128889177 hasConcept C95457728 @default.
• W2128889177 hasConceptScore W2128889177C121332964 @default.
• W2128889177 hasConceptScore W2128889177C2524010 @default.
• W2128889177 hasConceptScore W2128889177C2779662365 @default.
• W2128889177 hasConceptScore W2128889177C2780861071 @default.
• W2128889177 hasConceptScore W2128889177C33923547 @default.
• W2128889177 hasConceptScore W2128889177C62520636 @default.
• W2128889177 hasConceptScore W2128889177C95457728 @default.
• W2128889177 hasIssue "2" @default.
• W2128889177 hasLocation W21288891771 @default.
• W2128889177 hasOpenAccess W2128889177 @default.
• W2128889177 hasPrimaryLocation W21288891771 @default.
• W2128889177 hasRelatedWork W2025305319 @default.
• W2128889177 hasRelatedWork W2025422062 @default.
• W2128889177 hasRelatedWork W2042225582 @default.
• W2128889177 hasRelatedWork W2042381449 @default.
• W2128889177 hasRelatedWork W2503964241 @default.
• W2128889177 hasRelatedWork W2587755032 @default.
• W2128889177 hasRelatedWork W2798827378 @default.
• W2128889177 hasRelatedWork W2962835228 @default.
• W2128889177 hasRelatedWork W3160746601 @default.
• W2128889177 hasRelatedWork W3173436363 @default.
• W2128889177 hasVolume "36" @default.
• W2128889177 isParatext "false" @default.
• W2128889177 isRetracted "false" @default.
• W2128889177 magId "2128889177" @default.
• W2128889177 workType "article" @default.