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- W2129935372 abstract "The critical studies that address the relationship between Gabriele D'Annunzio and the medium of cinema have emphasized the writer's literary influence on the popular Italian cinema of the years 1910-1919. That is not surprising, considering that D'Annunzio's direct involvement with the medium was extremely sparse. It is said that his active interest in cinema began in 1908, when he visited a film studio and experimented with the tricks made possible by the medium's specific technology (Rondolino, 215216). His relationship with cinema, however, is customarily associated with the intertitles that he wrote for Giovanni Pastrone's monumental epic, Cabiria (1914), ofwhich the extravagant mise-en-scene and pioneering use of the dolly, next to D'Annunzio's prestigious signature, are some of the things that secured the film's inclusion in the international silent cinema" @default.
- W2129935372 created "2016-06-24" @default.
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- W2129935372 date "2006-01-01" @default.
- W2129935372 modified "2023-09-25" @default.
- W2129935372 title "Mona Lisa's Gaze: D'Annunzio, Cinema, and the 'Aura'" @default.
- W2129935372 cites W2319139006 @default.
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- W2129935372 doi "https://doi.org/10.33137/q.i..v27i1.8979" @default.
- W2129935372 hasPublicationYear "2006" @default.
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