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- W2137538684 abstract "Photography has been used for many purposes—to memorialise, propagandise, record, lament and celebrate diverse human experience. Its status as a realist mode of representation, and as art, has been contested and dramatically revised by modernist and postmodern understandings of knowledge production and the contingent nature of personal, political and cultural perspectives. Similarly, appreciation of the camera’s light-trapping magic (heliography or “writing by the sun”) has been transformed by advances in science, mass commodification, the digital revolution and the surveillance industry. This reconfiguring of image-making and its significance confirms Michel Foucault’s view that “[d]iscursive practices are not purely and simply ways of producing discourse,” but are “embodied in technical processes” (200). Gail Jones’s fictions explore linguistic and visual codes and the changing technologies of sharing perception, especially the mnemonic inscriptions of photography and film, recording past and present. These narratives present an inclusive understanding of art and affirm that “images, photographic or otherwise, operate in a dense network of relationship with other forms of representation, textual, visual and psychic” (Connor 106). Thus Jones’s interest is not only in photography’s capacity to precisely render historical moments (with occasion, time and place carefully located), but even more in a transcendence of fixed positions via incandescent insight." @default.
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- W2137538684 date "2006-01-01" @default.
- W2137538684 modified "2023-09-23" @default.
- W2137538684 title "Gail Jones' light writing: Memory and the Photo-graph" @default.
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