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- W2139354395 abstract "Abstract Contemporary criticism of PíoBaroja's seminal comic novel Aventuras, inventos y mixtificaciones de Silvestre Paradox highlighted its renewal of the native picaresque tradition (Valera) and the neo-romantic subjective nature of the new modernist aesthetic (PardoBazán). Baroja's text foreshadows Linda Hutcheon's analysis of postmodernism: a paradoxical contemporary art, reflecting the current crisis of socio-cultural values, self-reflexive with respect to the relationship between life and art (extra-textual), the relationship between author and reader in the process of the production, transmission and reception of the narrative (intra-textual) and the parodic relationship between the work and the literary corpus of the past (intertextual). Baroja inscribes the genealogy of the European novel, adapting to his fiction the Haeckelian notion that the individual recapitulates the evolution of the species: his parodic compendium of sub-genres creates a burlesque summa narrativa. Like Cervantes and the great nineteenth-century novelists before him, Baroja's novel encompasses the Western canon to the time of writing, engaging in an ironic dialogue with the myth systems of the Western imaginary to reveal the difference/similarity of historical mentalities. His narration of the adventures, inventions and mystifications of Silvestre Paradox, a Don Quixote for the scientific age, is both recapitulation of the past and anticipation of future literary creation and theory." @default.
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- W2139354395 date "2011-11-01" @default.
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- W2139354395 title "The Metaliterary Adventures, Inventions and Mystifications of Pío Baroja's Silvestre Paradox" @default.
- W2139354395 doi "https://doi.org/10.1080/14753820.2011.620313" @default.
- W2139354395 hasPublicationYear "2011" @default.
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