FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W2140000964> ?p ?o ?g. }

• W2140000964 endingPage "113" @default.
• W2140000964 startingPage "113" @default.
• W2140000964 abstract "This article addresses the problem of the medial shift between Dante's word paintings and Botticelli's drawings. A detailed comparison of Par. XXX with Botticelli's drawing for this canto is the basis for a first approach to a system of correspondences which Botticelli created for his pictorial transposition of the poetic text. The analysis of the details and arrangements of the depicted shapes reveals the degree of sensitiveness with which Botticelli delves into the religious and spiritual world of the canto as well as into its poetics. The artist transposes the intention of a whole section of Par. XXX (the first vision: flow of light and mirabil primavera, v. 67-78) by referring closely to textual details. In the course of this, he displaces the supernatural imagery of the Dantean verses by means of an arbitrary divergence. This intermedial difference arises from putting the symbolic expression of faville vive (= living sparks), which Botticelli permutes into angels – angels with cloaks covered in flames and angels with halos – into form. Here, the hermeticism of Dante's text appears transposed into the ambigram of a seemingly mysterious labyrinth of shapes. In Dante's work, gemstones and their metaphysics of light play a prominent role in the symbolization of the mysticism of paradise. In Botticelli's permutation of the gemstones into angelic figures, this mysticism does not reflect the Dantean majesty. Although Botticelli is able to express a certain preciosity in his shapes by his masterly handling of his pencil, this presentation does not completely equal Dante's preciosity, which is created in a two-fold way by the gemstones and can be described both allegorically as well as rhetorically. Nevertheless and despite several differences, owing to the subtle reception of the Dantean poetics, Botticelli's drawing for Canto XXX of Paradiso presents an exceedingly well realized transposition of the mystic dimension of an internalized view of transcendence." @default.
• W2140000964 created "2016-06-24" @default.
• W2140000964 creator A5035734463 @default.
• W2140000964 date "2012-11-02" @default.
• W2140000964 modified "2023-10-02" @default.
• W2140000964 title "Mistica del Paradiso al limite del non rappresentabile. Par. XXX: word-painting dantesco e disegno Botticelliano – Analisi di un intercambio mediale" @default.
• W2140000964 cites W2050721192 @default.
• W2140000964 cites W2268546843 @default.
• W2140000964 cites W2312331567 @default.
• W2140000964 cites W2320132977 @default.
• W2140000964 cites W2322958311 @default.
• W2140000964 cites W3106211969 @default.
• W2140000964 cites W562883683 @default.
• W2140000964 cites W593926138 @default.
• W2140000964 cites W650507814 @default.
• W2140000964 cites W652714126 @default.
• W2140000964 cites W653308133 @default.
• W2140000964 cites W2607086435 @default.
• W2140000964 doi "https://doi.org/10.5565/rev/qdi.325" @default.
• W2140000964 hasPublicationYear "2012" @default.
• W2140000964 type Work @default.
• W2140000964 sameAs 2140000964 @default.
• W2140000964 citedByCount "0" @default.
• W2140000964 crossrefType "journal-article" @default.
• W2140000964 hasAuthorship W2140000964A5035734463 @default.
• W2140000964 hasBestOaLocation W21400009641 @default.
• W2140000964 hasConcept C111919701 @default.
• W2140000964 hasConcept C124952713 @default.
• W2140000964 hasConcept C138885662 @default.
• W2140000964 hasConcept C142362112 @default.
• W2140000964 hasConcept C164913051 @default.
• W2140000964 hasConcept C169081014 @default.
• W2140000964 hasConcept C205783811 @default.
• W2140000964 hasConcept C2780129039 @default.
• W2140000964 hasConcept C2781437521 @default.
• W2140000964 hasConcept C33566652 @default.
• W2140000964 hasConcept C41008148 @default.
• W2140000964 hasConcept C52119013 @default.
• W2140000964 hasConcept C556248259 @default.
• W2140000964 hasConceptScore W2140000964C111919701 @default.
• W2140000964 hasConceptScore W2140000964C124952713 @default.
• W2140000964 hasConceptScore W2140000964C138885662 @default.
• W2140000964 hasConceptScore W2140000964C142362112 @default.
• W2140000964 hasConceptScore W2140000964C164913051 @default.
• W2140000964 hasConceptScore W2140000964C169081014 @default.
• W2140000964 hasConceptScore W2140000964C205783811 @default.
• W2140000964 hasConceptScore W2140000964C2780129039 @default.
• W2140000964 hasConceptScore W2140000964C2781437521 @default.
• W2140000964 hasConceptScore W2140000964C33566652 @default.
• W2140000964 hasConceptScore W2140000964C41008148 @default.
• W2140000964 hasConceptScore W2140000964C52119013 @default.
• W2140000964 hasConceptScore W2140000964C556248259 @default.
• W2140000964 hasLocation W21400009641 @default.
• W2140000964 hasLocation W21400009642 @default.
• W2140000964 hasLocation W21400009643 @default.
• W2140000964 hasLocation W21400009644 @default.
• W2140000964 hasOpenAccess W2140000964 @default.
• W2140000964 hasPrimaryLocation W21400009641 @default.
• W2140000964 hasRelatedWork W2038787335 @default.
• W2140000964 hasRelatedWork W2263498524 @default.
• W2140000964 hasRelatedWork W2352043516 @default.
• W2140000964 hasRelatedWork W2368714418 @default.
• W2140000964 hasRelatedWork W2371513706 @default.
• W2140000964 hasRelatedWork W2382656523 @default.
• W2140000964 hasRelatedWork W2748952813 @default.
• W2140000964 hasRelatedWork W2809889701 @default.
• W2140000964 hasRelatedWork W4200172803 @default.
• W2140000964 hasRelatedWork W4220742332 @default.
• W2140000964 hasVolume "17" @default.
• W2140000964 isParatext "false" @default.
• W2140000964 isRetracted "false" @default.
• W2140000964 magId "2140000964" @default.
• W2140000964 workType "article" @default.