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- W2151337034 abstract "Cicely Hamilton Marriage As a Trade appeared at the height of the suffrage movement, a systematic assault on the compulsory nature of the Edwardian patriarchal marriage calling for a voluntary marriage state that allows female agency. She further explored the possibilities of her theoretical discourse in three of her non-suffrage plays: the comedies Diana of Dobson’s, Just To Get Married , and the one-act Jack and Jill and a Friend . To date, scholarship on Hamilton’s pre-World War I plays tends to explore either the influence of melodrama and the romantic comic formula, not their connections with suffrage drama. This article argues that Hamilton’s dramaturgy employs a “conversion narrative,” a tool frequently employed in British suffrage drama, to highlight the pragmatic, ideological constraints of the prevailing marriage paradigm outlined in Marriage As a Trade . In all three plays the man is converted by the woman to her way of thinking about marriage to bring about a resolution that allows marital harmony to ensue. These plays successfully refashion and reimagine a marriage paradigm that assumes female agency and is, if not strictly voluntary, at least less compulsory." @default.
- W2151337034 created "2016-06-24" @default.
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- W2151337034 date "2015-01-01" @default.
- W2151337034 modified "2023-09-23" @default.
- W2151337034 title "The Evolution of Cicely Hamilton's Edwardian Marriage Discourse: Embracing Conversion Dramaturgy" @default.
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