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• W2152903325 abstract "Instead of saying, I'm listening, watching--attending. The thesis here is not, strictly speaking, mine; and it articulates itself as an image, not as a sentence, though its marks are partly words. With this essay I respond to Flathead artist Jaune Quick-to-See Smith's theory of race and landscape as she transcribes it on canvas in Buffalo.' In this complex pictorial and textual composition--as tall as a person and two arm spans wideQuick-to-See Smith engages in the crucial social and aesthetic project of establishing Indigenous or collective agency, over representational practices. As Lakota scholar Vine Deloria suggests, from its origins in the discourse of theology in East Asia and Europe to its deployment by colonial powers negotiating disbursal of territories, the term sovereignty has had a series of relationships to and meanings for Indigenous peoples. Ironically, in the era of self-determination, sovereignty has been a key to collective agency for American Indians while simultaneously participating in paradigms of political power and commodification of space that are often at odds with Indigenous civic theories and practices. Lenape scholar Joanne Barker acknowledges the semantic difficulties imbedded in observing that, in a political move abstracted from land-based some Indigenous scholars have developed the notion of sovereignty, an attempt . . . to decolonize the theoretical and methodological perspectives used within analyses of indigenous histories, cultures, and identities from the legacies of intellectual colonialism (25). Similarly, Quick-to-See Smith and many other Indigenous U.S. artists decolonize the theory and method of landscape within the broader context of visual art to construct what might be named an artistic a concept that closely paral-" @default.
• W2152903325 created "2016-06-24" @default.
• W2152903325 creator A5043350483 @default.
• W2152903325 date "2008-01-01" @default.
• W2152903325 modified "2023-09-26" @default.
• W2152903325 title "Uneasy Terrain: Image, Text, Landscape, and Contemporary Indigenous Artists in the United States" @default.
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• W2152903325 doi "https://doi.org/10.1353/aiq.2008.0004" @default.
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