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• W2153341904 abstract "This article suggests that the twin principles of The Tempest, music and storm, bring together issues of class and race in an inventive topography whose connotational synergies enable a conceptual transfer to be made from Caliban, the figure of a disorderly colonial subject in Prospero’s play, to the mariners and, beyond them, the potentially disorderly English subjects located outside the frame of Prospero’s illusion. Read in the light, on the one hand, of contemporary ideas about music and order and the relationship between music, class and race and, on the other hand, of accounts of storm and mutiny in contemporary voyage reports, the play leaves considerably less securely contained the pressing threat of social disorder, masquerading as it does beneath and beside the colonial issue of race, than is often supposed." @default.
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• W2153341904 date "2008-01-01" @default.
• W2153341904 modified "2023-09-26" @default.
• W2153341904 title "Vulgar poesy and the music of disorder in The Tempest" @default.
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