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- W2163240950 abstract "I describe a method for analyzing pop-rock musical styles by extracting chord patterns based on their structural roles in relation to melody and lyrics. Previous work applied models such as n-grams, treating chords as equally chopped fragments without considering their functions with respect to musical structures like phrases. In this paper I focus on chord patterns at the end of segments as suggested in lyrics and melody. I study punctuation marks in lyrics and apply established melodic segmentation methods to retrieve segmental structure of songs, and extract two-chord patterns at the end of retrieved segments. I also examine the manner in which lyric punctuation coincides with melodic boundaries. In the experiment consisting of 101 pop-rock songs, it is observed that 68% of extracted patterns differed from those defined as standard cadences in Western classical music. Focusing on those non-standard patterns seems beneficial for differentiating composition styles among pop-rock bands." @default.
- W2163240950 created "2016-06-24" @default.
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- W2163240950 date "2009-01-01" @default.
- W2163240950 modified "2023-09-26" @default.
- W2163240950 title "Pop-Rock Musical Style as Defined by Two-Chord Patterns at Segmentation Points in the Melody and Lyrics" @default.
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- W2163240950 doi "https://doi.org/10.1109/ism.2009.22" @default.
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