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- W2170994038 abstract "In history of narrative cinema, long take has often been employed to mark significant moments within texts—especially when shot continues longer than most other shots in a given film. decision to keep camera rolling, that is, to go for a significantly extended length of time without a cut, is usually seen as a privileged moment, an occasion for artistic statement. One could imagine a long-take hall of fame consisting of those striking moments when cutting is set aside, allowing for some special visual experience to be had: 360-degree turn leading to murder of villain in Le Crime de M. Lange, Valli's long, aloof stroll past a hapless Joseph Gotten at end of Third Man, Jean-Pierre Leaud's extended escape to sea in 400 Blows, Godard's unrelenting track down a disaster-strewn highway in Le Weekend—the list could go on. But perhaps most celebrated of all famous long takes is opening shot of Orson Welles' Touch of Evil. Bordwell and Thompson, in fact, chose this shot as the example of how long take can constitute a formal pattern in its own right in their introduction to basic film analysis, Film Art} In this paper I will argue that while shot certainly deserves a permanent and prominent place in history of film art, its brilliance is such that it stands apart from less sophisticated long takes, even such classics as those mentioned above. For opening shot of Touch of Evil is not a in sense of employing traditional film practice in an exemplary manner. Rather, it exhibits a remarkable sensitivity to way we experience movies and world—a sensitivity which is so faithful to movie (as distinguished from all other forms of art) that it deserves more than what traditional film analysis, mired as it is in discourses of painting, photography, and literature, can offer. To do justice to shot, I will propose application of analysis based on ecological approach to visual perception. Bordwell and Thompson, presenting shot as a classic example, offer a prose rendering of action accompanied by a series of stills. After their summary, they announce what has just happened: The shot has guided our" @default.
- W2170994038 created "2016-06-24" @default.
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- W2170994038 date "1994-03-01" @default.
- W2170994038 modified "2023-09-25" @default.
- W2170994038 title "Touch of Evil and Ecological Optics: Toward a Démystification of Conventional Film Editing Practice" @default.
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