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- W2172905467 abstract "On the evening of February 16, 2000, I enjoyed a supper prepared by a Singaporean chef in a restaurant called in the city of Ulaanbaatar, Mongolia. The dining room was decorated with reproductions of paintings of European harbors in classic Dutch style and movie memorabilia that included a big-screen television showing an Ingrid Bergman film. Above the bar, which advertised a special Y2K cocktail, was a neon clock inscribed with the words American Dream. The sound system played a tape of Bob Dylan songs until the arrival of a local rock band. I had just come from the Mongolian State Opera performance of Porgy and Bess sponsored by the U.S. State Department and several multinational businesses. In the following week I would talk to university students and faculty about George and Ira Gershwin, DuBose Hey ward, culture, and democratic values. The evening seems a good place to begin a discussion of the globalization of studies. I know this description echoes those of travel writers who take delight in discovering exotic juxtapositions of traditional and modern, but aside from the language spoken by the staff, the most traditional thing in the Casablanca that night was me. As a United States State Department sponsored Specialist, I represented more than fifty years of studies in the service of cultural diplomacy, or what some call cultural imperialism. Many different and contradictory messages are contained in this encounter of globalization and studies. What do fragments of and European popular culture filtered through southeast Asia mean to Mongolians and tourists? Why did the Mongolian Opera request and the State Department support a production of Porgy and Bess? How can the complicated history of Gershwin's opera be explained to an audience who may know Boyz II Men, but not Scott Joplin?" @default.
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- W2172905467 date "2000-06-01" @default.
- W2172905467 modified "2023-09-23" @default.
- W2172905467 title "Can American Studies Be Globalized" @default.
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