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- W2178435544 abstract "AS IS WELL KNOWN, when he was 11 years old Charles Dickens was sent out to work at Warren's blacking warehouse due to financial difficulties in the family.1 Soon afterwards his father was arrested for debt and the family moved into the Marshalsea prison, but young Charles had to live by himself. ‘It is wonderful to me how I could have been so easily cast away’, he confesses.2 He felt ‘utterly neglected and hopeless’ (AF, p. 26). Edmund Wilson famously argued that this experience produced in Dickens ‘a trauma from which he suffered all his life’. This psychological wound, in Wilson's view, holds the key to the novelist's creative activities: ‘For the man of spirit whose childhood has been crushed by the cruelty of organized society, one of two attitudes is natural: that of the criminal or that of the rebel. Charles Dickens, in imagination, was to play the rôle of both, and to continue up to his death to put into them all that was most passionate in his feeling’.3 While one cannot readily agree with Wilson's sweeping assertion,4 there is no denying that the wound had a deep and lasting impact upon Dickens's imagination, and this impact has been investigated by a host of post-Wilson biographers and biographically oriented critics. But what is there to be learned from a more particular look at the language of Dickens's fiction?" @default.
- W2178435544 created "2016-06-24" @default.
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- W2178435544 date "2015-10-01" @default.
- W2178435544 modified "2023-09-27" @default.
- W2178435544 title "Dickens and the Blacking Factory Revisited" @default.
- W2178435544 doi "https://doi.org/10.1093/escrit/cgv020" @default.
- W2178435544 hasPublicationYear "2015" @default.
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