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- W2178700929 abstract "In theorizing the emergence of a cultural economy, Arjun Appadurai relates a postmodern, commodity sensibility based on to a complex transnational construction of imaginary landscapes.1 He is concerned with the cultural flows that move between and across national boundaries in a newly globalized world and comments on the possibility of nostalgia without This locates the Jamesonian mode, understood as a form of pastiche, in a culture of world image systems. Appadurai suggests that: The past is not a land to return to in a simple politics of memory. It has become a synchronie warehouse of cultural scenarios. . . .2 One consequence of the past existing in this way, as a cultural style within advanced global capitalism, is the possibility for people around the world to consume images that belong to a cultural past that has no relation to their own. With images circulating in a newly heterogeneous and transnational public sphere, Appadurai suggests that can be experienced for a past that has never been lost in any culturally specific or referential sense." @default.
- W2178700929 created "2016-06-24" @default.
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- W2178700929 date "2000-06-01" @default.
- W2178700929 modified "2023-09-22" @default.
- W2178700929 title "Advertising the Archive: Nostalgia and the (Post)national Imaginary" @default.
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