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- W2181605512 abstract "The Sydney Opera House, designed by Danish architect, Jorn Utzon (1918-2008), is a vibrant complex of performance spaces enclosed by one of the world’s most iconic structures. Design work commenced in 1957 and the building was completed in 1973. The interior of the Concert Hall was designed by Australian architect Peter Hall after Utzon returned to Denmark in 1966 following a dispute with the Government over a number of issues, including cost over-runs. The Acoustician for the Concert Hall was Vilhelm Lassen Jordan. Since the first concerts in the hall, musicians onstage and critical listeners in the hall acknowledged the hall’s acoustics deficiencies. However for many visitors, the extraordinary architecture of the building was sufficiently impressive to cause the building to be listed as one of the world’s 10 best concert halls. Finding the means to remediate the acoustics shortcomings in this Heritagelisted world landmark has been challenging. Over a long period of time it has involved acquiring expert advice and balancing that advice with financial and artistic resources as well as the enhanced functionality and ultimate quality to be realised. All this will have to be tempered by heritage imperatives, restricted budgets, and seemingly conflicting goals. Mock-ups of acoustics modifications were conducted in late 2009. This paper will describe the process of gaining authorisation for the mock-up as well as musician and audience reactions to them." @default.
- W2181605512 created "2016-06-24" @default.
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- W2181605512 date "2010-01-01" @default.
- W2181605512 modified "2023-09-23" @default.
- W2181605512 title "ACOUSTICS OF THE SYDNEY OPERA HOUSE CONCERT HALL Part One: The Client's Perspective" @default.
- W2181605512 hasPublicationYear "2010" @default.
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