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- W2183618105 abstract "Peter Martens’ study examines a conscious decision by a performer to alter an in-terpretation of a composition and suggests that this process can have an observable impact on directing an audience's perception. In this study, that process specifically regards levels of tactus perception. This impact is influenced by a complex network involving composer, performer, and audience, each affected not only by the psycho-logical conditions of others but also a plethora of largely indecipherable background or cultural constraints. In Martens' study, obvious advantages that contributed to the completeness of the examination were explicit statements made by Glenn Gould, as well as a “before” and “after” pair of studio recordings. However, it is possible to further engage this study's potential and attempt to more fully examine what con-straints on perception are influenced by the performer, by the composition itself, and by the role of the audience." @default.
- W2183618105 created "2016-06-24" @default.
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- W2183618105 date "2004-01-01" @default.
- W2183618105 modified "2023-09-27" @default.
- W2183618105 title "Response to Martens" @default.
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