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- W2185593874 abstract "Drawing from American dramatic theorist and practitioner Richard Schechner’s performance theory, sociologist of science Karin Knorr Cetina, and feminist philosopher Karen Barad’s quantum physics-inspired posthumanist theory as related to performativity and materiality, it will be argued that the progression from performance to performativity is increasingly situated not only off-stage, but also within relationships between human/nonhuman agencies and the modalities under which technoscientific communities engage with materials. In particular, the convergence of materiality and performativity will be traced within the techno-scientific-socialartistic practice of wearables, with examples drawn from the field of wearables research. This aims to demonstrate how performative objects/subjects are constituted via an active entanglement of materiality and performativity, technology and social, and are thus a specifically hybrid instantiation of human/nonhuman performativity. Performance and performativity - in contrast to the representation models of indexing, archiving, and documentation - both as theory and practice, have increasingly been taken on as placeholders of the modality of the knowledge production occurring in the arts and humanities as well as in technoscientific communities and discourse. This shift can be traced to a general concern for “action,” which permeated 20th century culture and science, and which has also been echoed in a variety of disciplines from linguistics, anthropology, sociology, and gender theory, to performance art, music, dance and theatre — marking a turning away from fixed representational documents as knowledge depositories towards the investigation of event and time-based structures as a knowledge flow." @default.
- W2185593874 created "2016-06-24" @default.
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- W2185593874 date "2012-01-01" @default.
- W2185593874 modified "2023-09-27" @default.
- W2185593874 title "Wearable Technologies: From Performativity to Materiality Vol 07 Paper 10" @default.
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