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- W2186861908 abstract "Historian Margaret MacMillan argues that in our secular age of the nation-state, history has replaced religion as a means of “setting moral standards and transmitting values.” “History with a capital H is being called in to fill the void. It restores a sense not necessarily of a divine being but of something above and beyond human beings. It is our authority: it can vindicate us and judge us, and damn those who oppose us.” 1 This conviction of the centrality of history in sustaining a modern state illuminates our understanding of that practice massively engaged in via the state-sanctioned main ideology after the establishment of the People’s Republic of China (PRC) in 1949. Spanning the years from 1949-1966 and commonly referred to in contemporary Chinese history as The Seventeen Years, this nationwide practice of constructing revolutionary history mobilized the popular memory of the nation’s past largely for the purpose of legitimizing and securing the rule of the Chinese Communist Party (CCP, or Party) in mainland China." @default.
- W2186861908 created "2016-06-24" @default.
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- W2186861908 date "2010-01-01" @default.
- W2186861908 modified "2023-09-24" @default.
- W2186861908 title "DESIRES, BODILY RHETORIC AND MELODRAMATIC IMAGINATION: WOMEN IN THE MAKING OF REVOLUTIONARY MYTH IN THREE CHINESE FILMS OF THE SEVENTEEN YEARS*" @default.
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