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- W2187234055 abstract "Addressing the general issue of Dada’s anarchism by taking the case of Hugo Ball’s writings one finds a major motivational support in the confidence on the actuality of Dada. At the beginning of the last century, Dada represented not only an artistic, but also an intellectual phenomenon. In its development as an artistic movement, Dada reached a certain point, from which today we are still essentially not further. Questions, such as “What can we build if we cannot hold on God, the State, and the good reason?,” “Is the only positive value in this life tied to the noise of life itself?,” “Is there an inherent structure of the world or is it sheer chaos?,” and “What is really art good for, if it isn’t beautiful anymore?,” are questions that keep haunting aesthetics and philosophy almost one century after (Braun 1995). In aesthetic terms, according to Herbert Braun, Dada shares with us a radicalism of questions and problems that is becoming more and more acute in the wake of this long postmodernist age: the lack of a coherent understanding of the world, the alienation of the artist from its audience, the incomprehensible character of his art – these are questions that have been increasingly resounding in recent times." @default.
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- W2187234055 date "2011-01-01" @default.
- W2187234055 modified "2023-09-27" @default.
- W2187234055 title "A Cultural Revolution for the Free Spirits: Hugo Ball's Nietzschean Anarchism *" @default.
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