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- W2188713272 abstract "Despite almost making the cut for what later became Seven Gothic Tales (1934), Karen Blixen's tale 'Carnival' has so far had little attention by scholars. The tale was developed in Africa in the years 1926-1927 in a period where Blixen was very occupied with the works of Soren Kierkegaard. In the tale we find one of the female characters, Annelise, to be dressed as 'the young Soren Kierkegaard'. She is described as a 'macabre dandy' and has her own radical views on Kierkegaard's work The Seducer's Diary. This article sets out to examine the meta- narrative connections in 'Carnival' to the works of Kierkegaard from the first part of his pseudonymous authorship, particularly with regard to narration strategies, notions of gender, art and seduction. The article also elaborates on the depiction of the young, rich and disillusioned smart-set of the Roaring Twenties as a group of Kierkegaardian aesthetes. In the tale a connection between dandyism of the 1840s, in which category Kierkegaard is placed, and the new female flapper of the 1920s is established as a way to examine the androgynous, which, I will argue, in 'Carnival' is connected to a notion of trans-gender humanism and eventually to the modus vivendi of the artist." @default.
- W2188713272 created "2016-06-24" @default.
- W2188713272 creator A5083832076 @default.
- W2188713272 date "2011-01-01" @default.
- W2188713272 modified "2023-09-27" @default.
- W2188713272 title "Flappers and Macabre Dandies: Karen Blixen's 'Carnival' in the light of Søren Kierkegaard" @default.
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