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- W2189299356 abstract "In his work on the literary oeuvre and intellectual development of Buchner, Hans Mayer emphasizes the importance of Benedictus De Spinoza's ontology for philosophical perspective on the world. For Mayer, in the social sphere Buchner sees only chaos, while in Spinoza's pantheistic universe he perceives a harmonious interpenetration of forces (379). The past two decades have witnessed a resurgence of scholarly interest in interpretation of Spinoza's con- ception of existence. This has bearing both on his nonliterary writings and on his literary production (Stiening, Der Spinozismus 207). In 1835/36 Buchner composed a series of lecture notes on the history of philosophy, many of which were based on Wilhelm Gottlieb Tennemann's Grundrisse der Geschichte der (1798-1819). However, as pointed out by Gerhard P. Knapp, the most original of critical reflections on philosophy are found in his manuscripts on Spinoza (3rd ed. 24). A fruitful area of investigation in Buchner studies involves the relationship of his meditations on Spinoza to significant strata of meaning in his literary works. Several studies have appeared that pursue this horizon of interpretation (e.g., Stiening, Georg Buchner und die Philosophie 47; Taylor, Buchner's Danton 238). Nevertheless, opening up further perspectives in this field of research remains a desideratum of Buchner research, especially in regard to philosophical works, familiar to Buchner, that reflect significant aspects of the reception of Spinoza's thought during the eighteenth and nineteenth centuries. This article will consider how Buchner construes a salient dimension of Spinoza's ontology by incorporating into III,1 of Dantons Tod (1835) ideas in a philosophical treatise written by Ludwig Feuerbach, entitled Gedanken uber Tod und Unsterblichkeit aus den Papieren eines Denkers (published anonymously in 1830; henceforth Todesgedanken). It will discuss this philosophical source and its implications for Payne's speculative utterance on Spinoza's system, showing how his reinterpretation of Spinozism reconstructs concepts from the philosopher's Ethica Ordine Geometrico demonstrata (1675) in the context of the Spinozan Naturanschauung developed in Feuerbach's text. The analysis of this source reveals the logic involved in Payne's acosmism and its relation to his theory of divine self-consciousness. This connection provides insight into his vision of human suffering in its ultimate existential significance. Little doubt persists that ideas from Feuerbach' s Todesgedanken inform significant strata of meaning in drama. Louis Ferdinand Helbig" @default.
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- W2189299356 date "2011-01-01" @default.
- W2189299356 modified "2023-09-27" @default.
- W2189299356 title "Payne's Spinozan Theodicy in" @default.
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