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- W2201895916 abstract "For Anna Letitia Barbauld, Felicia Hemans, and Letitia Elizabeth Landon the term “poetess,” as it is colloquially understood today, does them disservice, for it not only undercut the accomplishments of these women, but it does little to credit the skill, cunning, and, for Landon and Hemans especially, the business sense of these women. Anna Letitia Barbauld, Felicia Hemans, and Letitia Elizabeth Landon – these were women of letters. While some women did write because it might be a nice way to spend a rainy afternoon, some did so because they had to, and they did so with great success. Landon and Hemans functioned as writers, reviewers, and editors, and were creating and publishing at a time of a significant shift in writing – the moment when imaginative and creative writing claimed a place within society and the economy as a commercial activity. While many female writers of the Romantic period were widely read and highly respected, such a shift opened all imaginative and creative writing to great scrutiny, particularly works written or edited by women. For women, like Landon and Hemans, who came to depend upon the writing economy for their livelihood, they were forced to balance creative expression with considerations of the social and cultural conditions of their time as well as the opinions of their critics. For others, like Barbauld, economic independence granted them the luxury of expression.Although women had laid claim to a place in the new writing economy, that place remained severely restricted. Landon and Hemans had to navigate these various restrictions, which limited their expression of subject, style, and person, to make a living. To this end, Hemans and Landon developed specifically gendered strategies for establishing credentials to gain, and then maintain, their legitimacy as poets; whereas Barbauld – though she too desired an audience – had the economic freedom to write whatever and however she wished. However, all three women of letters employed similar strategies of embracing a writerly persona, expressing great beauty in their work, and rooting their poems in history and philosophy not only to establish a readership, but also to criticize the dominant paradigm." @default.
- W2201895916 created "2016-06-24" @default.
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- W2201895916 date "2010-01-01" @default.
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- W2201895916 title "The Politics and Economics of the Romantic Poetess" @default.
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- W2201895916 doi "https://doi.org/10.2139/ssrn.1651340" @default.
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